{"id":495,"date":"2022-11-21T07:59:31","date_gmt":"2022-11-21T06:59:31","guid":{"rendered":"https:\/\/teatronika.org\/?p=495"},"modified":"2022-11-27T16:14:39","modified_gmt":"2022-11-27T15:14:39","slug":"resolucion-concurso-teatronika-2022","status":"publish","type":"post","link":"https:\/\/teatronika.org\/ca\/2022\/11\/21\/resolucion-concurso-teatronika-2022\/","title":{"rendered":"Resoluci\u00f3 del concurs Teatronika 2022"},"content":{"rendered":"<p>El jurat format per:<\/p>\n<p>Pau Artigas i Marc Padr\u00f3, del col\u00b7lectiu Estampa; \u00c1ngela Precht, comiss\u00e0ria de l&#8217;eix de tecnologia de la Biennal de Pensament 2022 de Barcelona; el col\u00b7lectiu Matriu.id, representat per Pau Vidal, i Beatriz Liebe i Mart\u00ed S\u00e1nchez-Fibla, de Teatronika,<\/p>\n<p>ha decidit, despr\u00e9s de complicades discussions i profundes reflexions sobre qu\u00e8 \u00e9s hum\u00e0, div\u00ed i artificial, que els guions guanyadors de la 4a edici\u00f3 del concurs Teatronika s\u00f3n:<\/p>\n<p><strong>1r lloc, categoria 100% biol\u00f2gics:<\/strong><\/p>\n<p>Ex aequo a<\/p>\n<p>&#8211; <em>La singularidad de ANDR\u00e9s<\/em>, de <strong>Roc\u00a0Esquius Miquel<\/strong><\/p>\n<p>&#8211; <em>Vida de Robot<\/em>, de <strong>Gad Sans\u00a0Fingerhut<\/strong><\/p>\n<p>Del primer han destacat la proposta global, que equilibra la qualitat del text per ser interpretat per robots, el ritme i l&#8217;originalitat del tema.<\/p>\n<p>I del segon, la proposta original d&#8217;experimentaci\u00f3 amb el format textual i les m\u00faltiples possibilitats d&#8217;interpretaci\u00f3 que ofereix.<\/p>\n<p><strong>Tots dos<\/strong> autors obtenen <strong>500 euros de premi.<\/strong><\/p>\n<p><strong>1r lloc, categoria Cyborguions:<\/strong><\/p>\n<p>&#8211; <em>El sou d\u2019un robot<\/em>, de <strong>Max Grosse Majench<\/strong>\u00a0i\u00a0<strong>Joan Canyelles<\/strong><\/p>\n<p>El jurat destaca la capacitat dels autors per crear una pe\u00e7a coherent, que combina el resultat de la IA i un tema que cobra sentit en el mateix context en qu\u00e8 es crea.<\/p>\n<p>Obtenen <strong>1.000 euros de premi.<\/strong><\/p>\n<p><strong>3r &#8211; 7\u00e8 lloc<\/strong> per a:<\/p>\n<p>&#8211; <em>La ventana<\/em>, de <strong>Javier Mariscal Crevoisier<\/strong><\/p>\n<p>&#8211; <em>Broteverde<\/em>, de <strong>Lorenzo Asensio Jambrina<\/strong><\/p>\n<p>&#8211; <em>T\u00e1ntalo<\/em>, de <strong>Francisco Ballesteros<\/strong><\/p>\n<p>&#8211; <em>Pesadillas de robot<\/em>, d&#8217;<strong>Ignacio Echevarr\u00eda Molina<\/strong><\/p>\n<p>&#8211; <em>Kafkaturing seis di\u00e1logos<\/em>, d&#8217;<strong>Osvaldo Cibils<\/strong><\/p>\n<p>Cada autor obt\u00e9 <strong>100 euros de premi.<\/strong><\/p>\n<p>I, finalment, <strong>menci\u00f3 especial<\/strong> per a:<\/p>\n<p>&#8211; <em>Deshechos<\/em>, de <strong>Patricia Su\u00e1rez Recchi<\/strong><\/p>\n<p>&#8211; <em>Retrato robot<\/em>, de <strong>Jos\u00e9 Carlos Jim\u00e9nez Revuelta<\/strong><\/p>\n<p>&#8211; <em>Ovejas y pastores<\/em>, de <strong>Jorge-Yamam Serrano Ferrer<\/strong><\/p>\n<p>Els <strong>11 guions<\/strong> guanyadors <strong>es publicaran al llibre Teatronika_04<\/strong>.<\/p>\n<p>Moltes felicitats a totes les persones premiades i a totes les que hi han participat, hem llegit les seves obres amb plaer i curiositat.<\/p>\n<p>Ens posarem en contacte amb els guanyadors durant els pr\u00f2xims dies.<\/p>\n<p>Fins aviat!!<\/p>\n<p>L&#8217;equip de <strong>Teatronika<\/strong><\/p>\n<p><em>Associaci\u00f3 de Divulgaci\u00f3 Cient\u00edfica i Cultural<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El jurat format per: Pau Artigas i Marc Padr\u00f3, del col\u00b7lectiu Estampa; \u00c1ngela Precht, comiss\u00e0ria de l&#8217;eix de tecnologia de la Biennal de Pensament 2022 de Barcelona; el col\u00b7lectiu Matriu.id, representat per Pau Vidal, i Beatriz Liebe i Mart\u00ed S\u00e1nchez-Fibla, de Teatronika, ha decidit, despr\u00e9s de complicades discussions i profundes reflexions sobre qu\u00e8 \u00e9s hum\u00e0, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/teatronika.org\/ca\/2022\/11\/21\/resolucion-concurso-teatronika-2022\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Resoluci\u00f3 del concurs Teatronika 2022&#8221;<\/span><\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-495","post","type-post","status-publish","format-standard","hentry","category-sin-categoria"],"acf":[],"_links":{"self":[{"href":"https:\/\/teatronika.org\/ca\/wp-json\/wp\/v2\/posts\/495","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatronika.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatronika.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatronika.org\/ca\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/teatronika.org\/ca\/wp-json\/wp\/v2\/comments?post=495"}],"version-history":[{"count":13,"href":"https:\/\/teatronika.org\/ca\/wp-json\/wp\/v2\/posts\/495\/revisions"}],"predecessor-version":[{"id":807,"href":"https:\/\/teatronika.org\/ca\/wp-json\/wp\/v2\/posts\/495\/revisions\/807"}],"wp:attachment":[{"href":"https:\/\/teatronika.org\/ca\/wp-json\/wp\/v2\/media?parent=495"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatronika.org\/ca\/wp-json\/wp\/v2\/categories?post=495"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatronika.org\/ca\/wp-json\/wp\/v2\/tags?post=495"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}