{"id":222,"date":"2018-09-30T09:12:48","date_gmt":"2018-09-30T08:12:48","guid":{"rendered":"https:\/\/teatronika.org\/?p=222"},"modified":"2018-09-30T09:31:21","modified_gmt":"2018-09-30T08:31:21","slug":"resolucion-concurso-2018","status":"publish","type":"post","link":"https:\/\/teatronika.org\/en\/2018\/09\/30\/resolucion-concurso-2018\/","title":{"rendered":"Contest Results 2018"},"content":{"rendered":"<p>With some unanimity and some degree of divergences that were largely discussed, the jury composed of:<\/p>\n<ul>\n<li><strong>Marisol Lopez<\/strong> &#8211; Director of the Digital Culture Dept. ICEC, Generalitat de Catalunya<\/li>\n<li><strong style=\"font-size: 1rem\">Miquel Barcel\u00f3 Garc\u00eda<\/strong><span style=\"font-size: 1rem\"> &#8211; UPC Profesor, now retired and science fiction expert.<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">Jordi Delgado<\/strong><span style=\"font-size: 1rem\"> &#8211; Profesor of the Computer Science Dept, UPC<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">Beatriz Liebe<\/strong><span style=\"font-size: 1rem\"> &#8211; ALTRE theatre festival and mental health, \u00a0Teatronika.<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">Mart\u00ed S\u00e1nchez-Fibla<\/strong><span style=\"font-size: 1rem\"> \u2013 UPF Profesor, Teatronika.<\/span><\/li>\n<\/ul>\n<p>has declared that the winners of the Teatronika 2018 robotics short story contest are:<\/p>\n<ul>\n<li><strong>\u201cSin Ley\u201d<\/strong>\u00a0by Jordi Casanovas G\u00fcell \u2013 1000 euros<\/li>\n<li><strong style=\"font-size: 1rem\">\u201cInstrucciones\u201d\u00a0<\/strong><span style=\"font-size: 1rem\">by Daniel Alejandro Gonz\u00e1lez L\u00f3pez \u2013 500 euros<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">\u201cFlota un ata\u00fad en el espacio\u201d<\/strong><span style=\"font-size: 1rem\">\u00a0by Chema Garc\u00eda Ibarra \u2013 500 euros<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">\u201cLa Peluca\u201d <\/strong><span style=\"font-size: 1rem\">by Carlos Mir\u00e1s Avalos \u2013 250 euros<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">\u201cUnncany valley\u201d <\/strong><span style=\"font-size: 1rem\">by Helena Matamala \u2013 250 euros<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">\u201cSiempre se van los mejores\u201d<\/strong><span style=\"font-size: 1rem\">\u00a0by Nacho Pintos \u2013 100 euros<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">\u201cCiencia dram\u00e1tica\u201d<\/strong><span style=\"font-size: 1rem\">\u00a0by Tom\u00e1s Af\u00e1n Mu\u00f1oz \u2013 100 euros<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">\u201cSer-Es compatible\u201d<\/strong><span style=\"font-size: 1rem\">\u00a0by Tito Ascendra \u2013 100 euros<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">\u201cUbi sunt\u201d<\/strong><span style=\"font-size: 1rem\">\u00a0by Xavi Farr\u00e9 Sah\u00fan \u2013 100 euros<\/span><\/li>\n<li><strong style=\"font-size: 1rem\">\u201cAcciones\u201d <\/strong><span style=\"font-size: 1rem\">by Clara de la Torre Fern\u00e1ndez \u2013 100 euros<\/span><\/li>\n<\/ul>\n<p>We will contact the winners in the coming days.<\/p>\n<p>We would like to add a non-exhaustive selection and without an order of scripts due to its special characteristics that, although it has not been possible to reward, are mentioned here for:<\/p>\n<ul>\n<li>The Robot Musical \u201cEl universo es una estanter\u00eda\u201d by Miguel Viedma Rivas<\/li>\n<li>A very special road-movie: \u201cSin titulo\u201d by Ana Morales D\u00edaz<\/li>\n<li>The dadaist: \u201cTert\u00falias hipot\u00e9ticas entre obras de arte\u201d by Gaia Bautista Jugovic<\/li>\n<li>The Txejov parody \u201cTodas las flores de mi jard\u00edn\u201d by Antonio Ram\u00f3n Jim\u00e9nez Guill\u00e9n<\/li>\n<li>The Shakespearian \u201cEnrique VIII\u201d by Carlos de Pimienta Acosta<\/li>\n<li>The contemporary performance \u201cPerformance con 4 robots\u201d by Osvaldo Cibils<\/li>\n<li>The tribute to automata\u00a0\u201cDon quijote de la m\u00e1quina\u201d by Jessica de Farf\u00e1n Ospina<\/li>\n<li>The futurist comedy \u201cOuija wi-fi\u201d by Fernando Mart\u00ednez &#038; Miguel \u00c1ngel Jord\u00e1n<\/li>\n<li>The robot reincarnation \u201cEn continuo movimiento\u201d by \u00c1ngel Marzal Sahuquillo<\/li>\n<li>The artistic essay \u201cA short operetta for four robots and a harpsichord\u201d by M\u00f3nica Valc\u00e1rcel S\u00e1ez<\/li>\n<\/ul>\n<p>and so many other scripts, all with interesting elements that,\u00a0could not be rewarded.<\/p>\n<p>Thank you very much to all the participants, and thank you for your effort which has been worthwhile because we have enjoyed each of the more than 100 proposals received. We will keep you posted.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With some unanimity and some degree of divergences that were largely discussed, the jury composed of: Marisol Lopez &#8211; Director of the Digital Culture Dept. ICEC, Generalitat de Catalunya Miquel Barcel\u00f3 Garc\u00eda &#8211; UPC Profesor, now retired and science fiction expert. Jordi Delgado &#8211; Profesor of the Computer Science Dept, UPC Beatriz Liebe &#8211; ALTRE &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/teatronika.org\/en\/2018\/09\/30\/resolucion-concurso-2018\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Contest Results 2018&#8221;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-222","post","type-post","status-publish","format-standard","hentry","category-concurso-teatronika"],"acf":[],"_links":{"self":[{"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/posts\/222","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/comments?post=222"}],"version-history":[{"count":5,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/posts\/222\/revisions"}],"predecessor-version":[{"id":227,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/posts\/222\/revisions\/227"}],"wp:attachment":[{"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/media?parent=222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/categories?post=222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/tags?post=222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}