{"id":245,"date":"2019-01-16T16:01:26","date_gmt":"2019-01-16T15:01:26","guid":{"rendered":"https:\/\/teatronika.org\/en\/?p=245"},"modified":"2019-01-16T17:09:14","modified_gmt":"2019-01-16T16:09:14","slug":"theatre-but-no-actors","status":"publish","type":"post","link":"https:\/\/teatronika.org\/en\/2019\/01\/16\/theatre-but-no-actors\/","title":{"rendered":"Theatre but &#8220;nobody&#8221; on stage"},"content":{"rendered":"<p class=\"p1\"><span class=\"Apple-converted-space\">\u00a0 <\/span>Maybe there have always existed, but in 2018 (some have been created some years ago) we have been able to see some amazing theatre productions that have no &#8220;real people&#8221; on stage, and I mean no &#8220;real people&#8221; at all (in some cases, even not pulling the strings, or behind the controls). We have noticed at least four of them (please write to us if you know of any others):<\/p>\n<ul>\n<li class=\"p1\">&#8220;<a href=\"https:\/\/berlinberlin.be\/en\/project\/bonanza\/\">Bonanza<\/a>&#8221; of the Belgian<span style=\"font-size: 1rem\"> group Berlin.<\/span><\/li>\n<li>&#8220;<a href=\"http:\/\/www.anniedorsen.com\/showproject.php?id=6\">Hello Hi There<\/a>&#8221; by director Annie Dorsen.<\/li>\n<li class=\"p1\">&#8220;<a href=\"https:\/\/www.rimini-protokoll.de\/website\/en\/project\/unheimliches-tal-uncanny-valley\">Uncanny-Valley<\/a>&#8221; by Rimini Protokoll.<\/li>\n<li>&#8220;<a href=\"https:\/\/www.tnc.cat\/en\/el-somni-de-gulliver\">Els somnis de Gulliver <\/a>&#8221; by director Roland Olbeter.<\/li>\n<\/ul>\n<p class=\"p1\"><span class=\"Apple-converted-space\">Featuring in order of appearance:\u00a0<\/span><span class=\"Apple-converted-space\">a<\/span>\u00a0documentary film for five screens and a city model; two computer embodied chat bots improvising based on\u00a0 dialogs between Chomsky and Focault;\u00a0\u00a0animatronic double of Thomas Melle and controllable light beam; more than 45 mechanic puppets.<\/p>\n<p>A post will follow this one reviewing theatre performances including robot\u00a0performers. And maybe another one about a curious kind of theatre in which\u00a0the audience becomes the main players.<\/p>\n<p class=\"p3\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-259 \" src=\"https:\/\/teatronika.org\/wp-content\/uploads\/2019\/01\/3PLaysWithNoActors-1-1024x208.jpg\" alt=\"\" width=\"579\" height=\"118\" srcset=\"https:\/\/teatronika.org\/wp-content\/uploads\/2019\/01\/3PLaysWithNoActors-1-1024x208.jpg 1024w, https:\/\/teatronika.org\/wp-content\/uploads\/2019\/01\/3PLaysWithNoActors-1-300x61.jpg 300w, https:\/\/teatronika.org\/wp-content\/uploads\/2019\/01\/3PLaysWithNoActors-1-768x156.jpg 768w, https:\/\/teatronika.org\/wp-content\/uploads\/2019\/01\/3PLaysWithNoActors-1.jpg 1465w\" sizes=\"auto, (max-width: 579px) 100vw, 579px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Maybe there have always existed, but in 2018 (some have been created some years ago) we have been able to see some amazing theatre productions that have no &#8220;real people&#8221; on stage, and I mean no &#8220;real people&#8221; at all (in some cases, even not pulling the strings, or behind the controls). We have &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/teatronika.org\/en\/2019\/01\/16\/theatre-but-no-actors\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Theatre but &#8220;nobody&#8221; on stage&#8221;<\/span><\/a><\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-245","post","type-post","status-publish","format-standard","hentry","category-theatre"],"acf":[],"_links":{"self":[{"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/posts\/245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/comments?post=245"}],"version-history":[{"count":14,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/posts\/245\/revisions"}],"predecessor-version":[{"id":261,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/posts\/245\/revisions\/261"}],"wp:attachment":[{"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/media?parent=245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/categories?post=245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatronika.org\/en\/wp-json\/wp\/v2\/tags?post=245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}